With the Random House/Penguin merger there has obviously been some consolidation in management, and the venerable Gail Rebuck, who has been chairman and chief executive at Random House UK since 1991, stood down from her role running the business. In the same week the chief executive of Harper Collins, Victoria Barnsley, left after 13 years. Both women were succeeded by (eminently suitable, I might add) male replacements.
As The Guardian points out,
The suddenness of the change is startling – from 2000 to 2012 three of the big four British publishers were overseen by women. In the Guardian’s Book Power 100 list two years ago, Rebuck was ranked ninth and Barnsley fifteenth, and Rebuck took 10th place in Radio 4’s Woman’s Hour power list for 2013. Now, arguably, there are none.
While in Australia the gender power balance is quite different, what happens in the worldwide publishing scene now affects us more than ever. Most of the big 5 (going to take a little while to get used to saying that) have recently restructured in a vertical manner, so that the new arms of the business are directed from either US or UK strongholds.
Felice’s post struck a chord with me, as a female working in book publishing. I am one of the many women who have noticed that while we outnumber our male counterparts in the lower ranks of publishing, most of the top jobs are occupied by men. Obviously there are a number of reasons for this, chief among them the fact that women are required to delay their careers rather more than men if they choose to have children.
Reading Felice’s piece I thought about the number of brilliant women who have inspired me in my career (Katie Crawford, Cate Paterson, Nikki Christer, Sam Missingham to name but a few). Read an excerpt of Felice’s ‘Finding Feminism: A Woman in Publishing” and let me know what you think.
“Four years ago, I would have probably said we don’t need feminism anymore. I would have said we’re doing ok as a culture and don’t sweat the small stuff like discrepancies in wage, promotion opportunities, and people yelling ‘nice tits’ when you’re walking down the street in the middle of the day. I would have said this stuff will disappear with time, or possibly denied they even happened. Of course, this was before I knew page three existed (because, no, it’s not normal and where I grew up it wasn’t a thing), before Robin Thicke, and before last week’s news that two of the biggest jobs in publishing, previously held by women, are going to men.
I am not suggesting that men don’t deserve these jobs. Both men seem incredibly well qualified to hold their respective positions. But every time something like this comes up, I am (and in fact most people are) reminded of how our industry is overwhelmingly female, and the top jobs are held overwhelmingly by men. I don’t know why that is. I also don’t know why there is a difference between men and women’s pay.
I found feminism partly through the fact that I noticed these problems, and partly through the incredible women I know who work in publishing. Because there are so damn many of them. The ones who stare you down; the ones that ask difficult questions; the ones with brilliant ideas; the ones working late and hard on a bottomless pit of a project; the ones that make me laugh with how much they cut through the shit when a conversation is in danger of spiraling towards circularity. These women inspire me to be ambitious.”
Continue reading Finding Feminism: A Woman in Publishing over at Book Machine.